{"id":711,"date":"2016-11-06T16:04:00","date_gmt":"2016-11-06T16:04:00","guid":{"rendered":"https:\/\/www.fronteacciaiocromato.art\/?p=711"},"modified":"2026-03-30T19:02:33","modified_gmt":"2026-03-30T18:02:33","slug":"art-mining","status":"publish","type":"post","link":"https:\/\/www.fronteacciaiocromato.art\/it\/art-mining\/","title":{"rendered":"Art Mining"},"content":{"rendered":"
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Le catene utilizzate nella scultura sono grezze e industriali, portatrici di una storia fatta di lavoro e fatica. Modellandole nella forma di un martello, ho voluto reinterpretarne la forza e l\u2019energia. Invece di rappresentare costrizione, il martello diventa simbolo di liberazione. Il colore rosa acceso amplifica questo messaggio: si pone in netto contrasto con ci\u00f2 che ci si aspetterebbe da un materiale cos\u00ec pesante e industriale, conferendo al martello una sensazione di leggerezza e positivit\u00e0.<\/p>\n<\/div>\n\n\n\n

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Per me questo martello rappresenta la possibilit\u00e0 di rompere vecchie strutture e aprire nuovi percorsi. Simboleggia una forza che non \u00e8 solo fisica, ma anche interiore, necessaria per liberarsi dalle proprie catene. \u201cUnchained\u201d non \u00e8 quindi solo un omaggio allo strumento, ma anche un invito a prendere in mano la propria vita e le sue sfide per creare nuove libert\u00e0. Il martello di Unchained \u00e8 un messaggio di Fronteacciaiocromato: possiamo prendere ci\u00f2 che sembra appesantirci \u2014 storia, industrializzazione, aspettative sociali \u2014 e trasformarlo. Possiamo liberarci non rifiutando il passato, ma forgiando un nuovo futuro a partire dalla sua materia grezza. Questa trasformazione \u00e8 al centro del mio lavoro e della missione del collettivo: trovare libert\u00e0 attraverso la rielaborazione di ci\u00f2 che appare rigido, e celebrare la forza della resilienza e della reinvenzione.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Con Unchained voglio trasmettere che ognuno di noi possiede gli strumenti \u2014 a volte inaspettati \u2014 per liberarsi. Come gli artisti di Fronteacciaiocromato, possiamo lavorare con i limiti che ci vengono dati e trasformarli in simboli di possibilit\u00e0.<\/p>\n<\/div>\n\n\n\n

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Voci:<\/p>\n\n\n\n

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All\u2019inizio della primavera, artisti si sono riuniti a Zangtal per esaminare i materiali: parti metalliche provenienti dall\u2019attivit\u00e0 mineraria, oggi trasformate in sculture. \u201cCi\u00f2 che rende speciale questo simposio \u00e8 che bisogna guadagnarsi i materiali, utilizzando oggetti usati che portano con s\u00e9 le proprie storie,\u201d sottolinea Stefanie Krome, del gruppo artistico Fronteacciaiocromato. Vivendo a Carrara, in Italia, lavora solitamente con la pietra.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u201cOgni scultura ha un legame con l\u2019attivit\u00e0 mineraria,\u201d afferma Elisabeth Ledersberger-Lehoczky, direttrice artistica del progetto, responsabile anche della selezione del gruppo di artisti. \u201cDevono essere competenti, veri professionisti, e avere esperienza con il materiale,\u201d elenca tra i criteri fondamentali. Anche la capacit\u00e0 di lavorare entro limiti di tempo era un fattore importante. Il terzo punto, decisivo, era la disponibilit\u00e0 a confrontarsi con il contesto locale, con le persone e tra di loro. \u201cQui ha funzionato molto bene. \u00c8 raro vedere artisti apprezzare il lavoro degli altri in questo modo,\u201d aggiunge.<\/p>\n<\/div>\n\n\n\n

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La direttrice artistica sottolinea inoltre le condizioni eccellenti: \u201cLa comunit\u00e0 ha fornito tutte le risorse necessarie e abbiamo trovato una sede ideale nel cantiere comunale di Voitsberg. Avevamo tutto ci\u00f2 di cui avevamo bisogno e il personale non ci ha visti come \u2018intrusi\u2019, ma ci ha sostenuti.\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n

Voitsberg 2016<\/p>","protected":false},"excerpt":{"rendered":"

When creating the sculpture “Unchained”, I wanted to incorporate the power and symbolism of the hammer, connecting it with the idea of liberation. A hammer is not just a tool; it represents strength, determination, and change. It’s the instrument we use to shape, destroy, or release things. In my work, the hammer holds special significance: it embodies both the weight of the material and the possibility of achieving freedom through that very weight.<\/p>","protected":false},"author":2,"featured_media":715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[85],"class_list":["post-711","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artworks","tag-fac"],"yoast_head":"\nArt Mining - FAC-FronteAcciaioCromato<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fronteacciaiocromato.art\/it\/art-mining\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Mining - FAC-FronteAcciaioCromato\" \/>\n<meta property=\"og:description\" content=\"When creating the sculpture "Unchained", I wanted to incorporate the power and symbolism of the hammer, connecting it with the idea of liberation. 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