Dominik Stahlberg

Sculptor and Installation
(Born in Hildesheim, Germany)

Biography

Born in 1977 in Hildesheim, Germany, Dominik Stahlberg is a sculptor and installation artist who sees art not as a mirror, but as a weapon. Early on, he understood that the role of the artist is not to please but to provoke. After completing a formal education in sculpture from 2002 to 2005 in Germany, he was awarded a European Union scholarship to pursue his work in Italy, which led him to Carrara, the legendary marble capital.

Since 2005, Stahlberg has been based in Massa-Carrara, Italy, where he deepened his artistic practice through both formal and autodidactic studies. His research focused especially on post-1945 German sculpture, with a particular interest in combining traditional materials like marble with synthetic ones. His works are expressive, ironic, and sharp-edged with vibrant surfaces masking tragic depth.

In 2015, he co-founded Fronte Acciaio Cromato (F.A.C.), an anti-conformist avant-garde artist collective operating from a workshop in the heart of Carrara. F.A.C. is a hybrid of art and resistance: sculpture, installation, screen printing, and performance united in rebellion against elitism, aesthetic conservatism, and cultural commodification. “Chrome-Plated Steel” is more than a name, it is a statement of intent: unyielding, industrial, confrontational.

Stahlberg’s projects extend far beyond sculpture: from international symposia to underground mail art, from theatrical performances to experimental curating, he has left his mark across Europe and beyond.(including Brazil, Israel, Thailand, and Argentina) He is also a long-time participant in the NO!art movement, which fights the moral and political sterility of the global art market.

Education

2002–2005

Formal sculpture education in Germany

2005–2006

Sculpture scholarship from the European Union for Italy
Ongoing self-directed studies focusing on post-1945 German and American sculpture
Training and workshops in graffiti art, theatre, and public interventions

2002–2005

Formal sculpture education in Germany

——

2005–2006

Sculpture scholarship from the European Union for Italy

Ongoing self-directed studies focusing on post-1945 German and American sculpture

Training and workshops in graffiti art, theatre, and public interventions

Exhibitions & Projects

2017–present

Treasurer of FAC – Fronte Acciaio Cromato
The serious part
F.A.C. | Manifest, Carrara
Monumenti per Marina, International Sculpture Symposium

2013–2016

Biennale della Pietra, Castel San Niccolò
HOLE’S LOVERS project in Cavalese with MART, Trento
The 7 Sins exhibitions (Lussuria, Ira), Lecce
ARTE POSTALE – Akademie der Künste, Berlin
Carrara Open Studio, Carrara
PIMP MY MARY II, Carrara
TOAST Contemporary Art Gallery, board member, Carrara
Miguel Hernandez Editions 4, Madrid
Mediterraneo event, Carrara
Kommissar Hjuler collaborations (Berlin, Euskirchen, Villach, Moena)

2009–2012

The 7 Sins (Invidia, Accidia, Superbia, Avarizia), Naples & Benevento
TROY ART, Museu Brasileiro da Escultura, São Paulo
ANDANTE – MACUF, A Coruña
DREAMING OF LUCIDITY, Palazzo Zenobio, Venice
HUMAN RIGHTS?, Rovereto & Caserta
POP PORN – Sex & Politics, Rome
BOYS BOYS BOYS, Gallery Infantellina, Berlin
START UP, Verona & Macerata
MAIL ART @ BISMARCK, Germany
Miguel Hernandez, Editions 1–3, Madrid
NO!art involvement, Berlin & NYC

2005–2008

NO EXCUSE 3×3, UNESCO, Antwerp
Wax-Craft Symposium, Thailand
Sculpture Symposium, Patagonia/Argentina
NEW TALENTS, Gallery Noah, Augsburg
LEONARDO Prize, Augsburg
TENDOLA ARTISTICA, Fosdinovo
SCULTURA PER UN MUSEO, Montefiore Conca (2nd place)
FESTIVAL DELLA CREATIVITÀ, Florence
Torano Notte e Giorno, Italy
Sculpture Symposia: Tendola (Emigrazione), Cavaion Veronese (Universo in Pietra)

1997–2004

Early projects at KulturFabrik, Hildesheim (sculpture, graffiti, theatre)
ARCA Project, Carrara
Collaboration with Frank Breidenbruch / A.R. Penk on Himmlische Stürze, Wuppertal

2025

Carrara Studi Aperti – 2025 Edition logo creation

——

2021–2024

ARTE IN NEGOTIUM, Carrara

CSA Carrara

MOTHER ISRAEL – Installation, Carrara

NINA HAGEN SOTTO PONTE – Installation, Carrara

TILL LINDEMANN – Exhibition & Installation, Carrara

NO!art Project, Berlin

DON EURO, Carrara

——

2017–2020

L’egoismo indifferente, White Carrara Downtown

Carrara Open Studio, CSA

GOTT IST TOD – Mapping Installation, Carrara

GAME OVER CARRARA, Carrara

F.A.C. | Manifest, Carrara

Monumenti per Marina, International Sculpture Symposium

——

2013–2016

Biennale della Pietra, Castel San Niccolò

HOLE’S LOVERS project in Cavalese with MART, Trento

The 7 Sins exhibitions (Lussuria, Ira), Lecce

ARTE POSTALE – Akademie der Künste, Berlin

Carrara Open Studio, Carrara

PIMP MY MARY II, Carrara

TOAST Contemporary Art Gallery, board member, Carrara

Miguel Hernandez Editions 4, Madrid

Mediterraneo event, Carrara

Kommissar Hjuler collaborations (Berlin, Euskirchen, Villach, Moena)

——

2009–2012

The 7 Sins (Invidia, Accidia, Superbia, Avarizia), Naples & Benevento

TROY ART, Museu Brasileiro da Escultura, São Paulo

ANDANTE – MACUF, A Coruña

DREAMING OF LUCIDITY, Palazzo Zenobio, Venice

HUMAN RIGHTS?, Rovereto & Caserta

POP PORN – Sex & Politics, Rome

BOYS BOYS BOYS, Gallery Infantellina, Berlin

START UP, Verona & Macerata

MAIL ART @ BISMARCK, Germany

Miguel Hernandez, Editions 1–3, Madrid

NO!art involvement, Berlin & NYC

——

2005–2008

NO EXCUSE 3×3, UNESCO, Antwerp

Wax-Craft Symposium, Thailand

Sculpture Symposium, Patagonia/Argentina

NEW TALENTS, Gallery Noah, Augsburg

LEONARDO Prize, Augsburg

TENDOLA ARTISTICA, Fosdinovo

SCULTURA PER UN MUSEO, Montefiore Conca (2nd place)

FESTIVAL DELLA CREATIVITÀ, Florence

Torano Notte e Giorno, Italy

Sculpture Symposia: Tendola (Emigrazione), Cavaion Veronese (Universo in Pietra)

——

1997–2004

Early projects at KulturFabrik, Hildesheim (sculpture, graffiti, theatre)

ARCA Project, Carrara

Collaboration with Frank Breidenbruch / A.R. Penk on Himmlische Stürze, Wuppertal

This is not art for polite galleries. This is sculpture with scars. This is resistance, carved from stone and wrapped in chrome.

Dominik Stahlberg  artist, agitator, and co-founder of Fronte Acciaio Cromato.

Artworks by Dominik Stahlberg

A Tuscan curse, often heard when the stones start to roll. It is neither purely blasphemous nor simply crude, it’s the vent of the Cavatori, those who live between heaven and the hell of work.
I created this work in 2009. Its starting point was a small sculpture my grandfather once gave me: a figure of King Leonidas that he had brought back from Greece.
In Non-Solo-Pasta I took that story apart and rebuilt it, with Carrara marble, steel, and a bucket full of pasta.
Palazzo Zenobio, Venice