The work directly confronts us with the question of how we, as a community, deal with the invisible yet very real borders that are being erected around us. In the first part of the installation, we see a hammer with the word “ART” engraved on it. This hammer represents the power of art, not merely to serve as a mirror of reality but to actively engage in social and political processes.
“Art is not a mirror to reflect the world in, but a big hammer with which to shape it!”
We, as artists, remind ourselves that art is not a passive medium, it’s a tool that can bring about change. The hammer symbolizes our ability to dismantle and even shatter barriers through creative and critical engagement, opening up new perspectives.
The second part of the installation addresses the humanitarian and political catastrophes taking place at Europe’s external borders, particularly in the Mediterranean. The blue area, framed by small objects resembling human bodies, reminds us of the many people who lose their lives while fleeing. The sea, suggested in the depiction, is for us a symbol of freedom, yet for many migrants, it becomes a deadly trap. The figures warn us that behind every border we erect politically, real human lives are at stake.
“Art vs Frontex” urges us not to remain silent but to take an active stance. The installation challenges us to question our role in this complex political web. Can we afford to simply accept the decisions of institutions like Frontex, or must we raise our voices to bring about change?
Through our installation, we aim to make it clear that art is not only for aesthetic contemplation but also plays an important role in political and social discourse. The installation speaks to us directly: we are all called upon to recognize these injustices, reconsider our stance, and become part of the change.
Carrara 2013
